Anna Kunz was born in Chicago, Illinois, where she continues to live and work. After receiving her BFA from the Art Institute of Chicago, Kunz went on to complete her MFA at Northwestern University, eventually attending the Skowhegan School of Painting and Sculpture in Skowhegan, Maine. Her works on paper, paintings, installations, and other compositions have been exhibited in San Francisco, Los Angeles, Chicago, Dallas, New York, Madrid, and Poland. Kunz's work has also been included in numerous public and private collections.

Kunz is the recipient of multiple awards and accolades, including nominations from 3Arts, Louis Comfort Tiffany Foundation, Richard H. Driehaus Foundation, Emerging Artist award from the National Museum of Women in the Arts, Artadia Chicago, Rema Hort-Mann Foundation's Individual Artists Grant, and The Joan Mitchell Foundation in 2020. She has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation, the Roger Brown Artist Residency, and, most recently, the Monira Foundation Residency.

Sabrina Piersol (b. 1995, Greenwich, CT) is a Colorado-based painter exploring the intersection of abstraction and representation. Her work is deeply informed by early 20th-century American painting traditions, as well as the fragmented structure of the Classical Greek poetry of Sappho. Piersol balances abstract forms with explicit references to nature, maintaining accessibility while pushing the boundaries of perception. Her paintings explore themes of desire, temporality, fluidity, and speculative extrapolation. Each piece invites viewers to envision alternate pasts and possible futures, creating spaces for reflection and transformation.

Piersol received her BA from Colorado College and her MFA from the University of California, San Diego. Select solo exhibitions include Sow & Tailor, Los Angeles, CA; Edge Art Space, Turin, IT; and the University of California, San Diego. She has participated in group exhibitions at Louis Buhl & Co., Detroit, MI; Nazarian / Curcio, Los Angeles, CA; Artemin Gallery, Taipei, Taiwan; High Bay Gallery, New York, NY; Sow & Tailor, Los Angeles, CA; 1969 Gallery, Ibiza, Spain; Friend of a Friend, Denver, CO; the University of California, San Diego, CA; and False Cast Gallery, Los Angeles, CA. 

József Csató (b. 1980, Hungary) lives and works in Budapest, Hungary. He completed his studies at the painting department of the Hungarian University of Fine Arts in 2006, under the instruction of Dóra Maurer. A three-time recipient of the Gyula Derkovits Art Scholarship, he is also the winner of the Esterházy Art Award in 2013, a prestigious award for young artists in Hungary. He has held solo exhibitions at Vielmetter, Los Angeles; PLUS-ONE Gallery, Antwerp; Semiose Gallery, Paris; Double Q Gallery Hong Kong; Galerie Krinzinger, Vienna and Semiose Gallery, Paris. His works can be found in numerous private and institutional collections, including Ludwig Museum, Hungarian National Bank and Beth Rudin DeWoody.

Jessica Drenk originally from Montana has an MFA in 3D art from the University of Arizona and a Bachelor’s Degree in Art from Pomona College. Drenks work can be found in private collections throughout the world and galleries across the United States.  Her work is a part of several corporate collections, such as that of Fidelity Investments, Frost Bank corporate office collection, UTSW Clements collections , TCU’s School of Education and The Macallan distillery in Scotland, as well as the Yale University Art Gallery and Huntington Museum of Art.  Drenk has been the recipient of several awards, including International Sculpture Center’s Outstanding Student Achievement in Contemporary Sculpture Award, and her work has been pictured in Sculpture, Curve and Interior Design magazines, as well as The Workshop Guide to Ceramics. A working artist since 2007, Drenk lives and works near Rochester, NY.

Marlon Wobst (Born 1980 in Wiesbaden) graduated as a painter and master student at Universität der Künste Berlin in 2011 with Professor Robert Lucander. In his body of work, which includes oil paintings, felt tapestries, ceramics, and works on paper; he mainly addresses the human existence. He researches typical everyday moments in life, such as getting dressed, exercising, eating, resting or mating. His large scale paintings, the colorful felt works and rather small, intimate ceramics are all glimpses in his, but also human experiences, rituals and habits. His works are shown internationally in galleries, museums and institutions such as Kunstverein Siegen (Siegen), Kunsthal Charlottenborg (Copenhagen), Kunsthalle Hangelar (Sankt Augustin), Galerie Maria Lund (Paris), Galerie Zeller van Almsick (Vienna), and Galleri Urbane (Dallas). Since 2021, Marlon Wobst has a lectureship for painting at the Universität der Künste Berlin.

Gail Peter Borden attended Rice University, simultaneously receiving Bachelor of Arts degrees (all cum laude) in fine arts, art history, and architecture. He went on to Harvard University’s Graduate School of Design to complete a post-professional Masters of Architecture with distinction. Borden is the Director of Graduate Studies in addition to holding a tenured position as a professor at the Gerald D. Hines College of Architecture and Design at the University of Houston and principal of Borden Partnership since 2002. His artwork is an integral component of a vibrant research based practice. His projects are dedicated to craft across a variety of scales and media. From books, to installations, furniture to paintings and exhibitions, his work continues to act as proof that art has the power to transform the everyday. Borden received artist-in-residence awards from the Chinati Foundation in Marfa, Texas; the Atlantic Center for the Arts; the Borchard Fellowship; and the MacDowell Colony. Borden  has published 7 books on materiality: Material Precedent: The Typology of Modern Tectonics, 2010 (Wiley Press); Matter: Material Processes in Architectural Production, 2011 (Routledge); Principia: Architectural Principles of Material Form, 2013 (Pearson); Process: Material and Representation in Architecture, 2014 (Routledge); Lineament: Material, Representation and the Physical Figure in Architecture, 2017 (Routledge); New Essentialism: Material Architecture, 2018 (AR+D), and City of Refugees, 2020 (AR+D) all focus on materiality. As an architect designer, artist, theoretician, and practitioner, Professor Borden’s research and practice focuses on the role of materiality and architecture in contemporary culture.

Donald Martiny was born in Schenectady, NY and currently lives and works in Ivoryton, CT. He studied at the School of the Visual Arts, The Art Students League in New York, New York University and the Pennsylvania Academy of Fine Arts. Donald’s work is in the permanent collections of The Phoenix Art Museum, Phoenix, AZ; The Crocker Art Museum, Sacramento, CA; The Amon Carter Museum of American Art, Fort Worth, TX; The Newcomb Art Museum at Tulane university, New Orleans, LA; FWMoA, Fort Wayne, IN; The Lamborghini Museum, Sant’Agata Bolognaese, Italy; One World Trade Center in New York City; and Los Angeles International Airport.

Bradley Biancardi (b.1977, Chicago) has exhibited his work at My Pet Ram in New York and Santa Barbara, CA; eyes never sleep, Freight+Volume, Arts+Leisure, Thierry Goldberg, Fresh Window, and BravinLee Programs in NYC; Johalla Projects, Devening Projects+Editions, Roots & Culture Contemporary Art Center, and the Hyde Park Art Center in Chicago; Galleri Urbane in Dallas, and Steven Zevitas Gallery in Boston, among others. He has participated in artist residencies at Yaddo, DNA in Provincetown, MA, The Elizabeth Murray Artist Residency by Collar Works, the Edward F. Albee Foundation, the EFA Robert Blackburn Printmaking Workshop, the Atlantic Center for the Arts, the Vermont Studio Center, and the Religare Arts Initiative in New Delhi. He has lectured as a Visiting Artist at the College of St. Rose, Yale University, Columbia University, Indiana University, and the University of Chicago among others. His work has been noted in the publications ArtMaze Mag, New American Paintings, Bad At Sports, and Newcity, among others. Biancardi lives and works in Brooklyn, NY.

Drea Cofield is an artist currently working in Brooklyn, NY. She has exhibited widely including New York, Dallas, Detroit and Los Angeles with recent solo exhibitions at Galleri Urbane in Dallas, TX and Future Fair in Chelsea, NY. Upcoming shows include Heaven Gallery in Chicago, IL and a two-person show at Kravets Wehby in NYC in September 2024. Her work has been featured in The Wall Street Journal, WhiteHot Magazine, The Brooklyn Rail, and Contemporary Painting (World of Art). She is the recipient of a Elizabeth Greenshields Grant and the Yale Gloucester Painting Prize. Residencies include a Yaddo Residency in Saratoga Springs, NY, in 2023. Cofield received her B.A. from DePauw University (Greencastle, IN) in 2008 and her M.F.A from Yale School of Art (New Haven, CT), in 2013.

Stephen D’Onofrio is a contemporary visual artist focused on painting. He received his BFA and MFA from The School of The Art Institute of Chicago in 2013 and 2016, respectively. In 2018, D’Onofrio was a finalist for the prestigious Hopper Prize. He has exhibited extensively in venues across the country, including galleries in Dallas, Boston, Los Angeles, Chicago, and Philadelphia. His work can be found in numerous private and public collections including Fidelity Investments, Estée Lauder, and the Clements Collection at UT Southwestern Medical Center, Dallas. D’Onofrio has lived and worked in Philadelphia since being awarded an artist residency in the city at Jasper Studios in 2017. His work is represented in the United States by Galleri Urbane, Dallas. 

The artist’s thematic image-making is broadly characterized by an interest in the home decor market, the mass commodification of art, and the generic visual language that accompanies commercial design. His paintings explore the relationship between physical spaces and the objects we fill them with. Often alluding to typical domestic decor and household ornaments, his canvases make these inherently empty objects into simplified symbols and patterns that can then be rearranged and compressed to carry a formal sensibility. The “Produce(d) Paintings” series serves as an historic exemplar of still-life painting that is as old as the medium itself.

Currently, D’Onofrio addresses the idea of painting as ornament, incorporating stock subjects of landscape, still life, and portraiture becoming knickknacks into his lexicon. The painter distills, consolidates, and appropriates the overwhelming amount of generic design aesthetic in the commercial decor market. Rather than fight the inherent kitschiness of this visual language, he embraces the imagery so his canvases can, in turn, become a critique of the subject it represents.

Rachel Hellmann employs rare bioluminescent colors found in the natural world with the exactitude of architectural forms in her sculptures. Paintings on paper directly correlate to the sculptures, stretching Hellmann’s examination of color into the tangible. These studies on paper deceive dimensions in the absence of physical depth. Using poplar wood and MDF, the artist bends individual segments into architectural forms, which she then joins with adhesives. Following her highly intuitive process, Hellmann paints “shapes of color.” Floating with a luminescent halo, the sculptures fold away from the wall. Contrasting hues exhibit subtle illusions of indiscernible depth.

Lorena Lohr has has maintained a self-taught photographic and painting practice for more than a decade, the British-Canadian artist has been traveling the American Southwest by bus and train, documenting the fleeting landscapes and the distinct character of the region’s built environment. Lohr’s work takes in a variety of artistic disciplines. As a photographer, she captures everything from motels and bars to parking lots and patches of waste ground, focusing on unexpected and often uncanny aspects of the commonplace and mundane in the places she visits without ironic detachment or comment.

 Solo exhibitions include Desert Nudes, Soho Revue, London, UK (2023); Tonight Lounge, Cog Gallery, London, UK (2019); Ocean Sands, Matches Fashion House, London, UK (2019); Photo London (solo booth), Cob Gallery, London, UK (2018); Lorena Lohr, Claire de Rouen Books, London, UK  (2016) and Ocean Sands, Cob Gallery, London, UK (2015).   Group exhibitions include Horizon Avenue, Photo Saint Germain, Paris, France (2019); A Shade of Pale curated by Carrie Scott, The Store x 180 Strand, London, UK (2018).  Recent publications include Scenic Views Volume III, self published, London, UK (2021); Desert Nudes, self published, London, UK (2020); Tonight Lounge, published by Cob Gallery, London, UK (2019).

Samantha McCurdy is a native of Philadelphia and graduated from the Maryland Institute College of Art in Baltimore. Her work has been included in gallery exhibitions in Philadelphia, Dallas, Los Angeles and New York City. Samantha had a solo booth at Spring/Break Art Fair L.A premiering a performance piece, she allows selected by the Standard Hotel Hollywood for a site-specific installa-tion and recently exhibited with Galleri Urbane at the Dallas Art Fair. In addition to her own practice, Samantha also runs an art space and “intellectual pavilion” called That That, which relocated with her move from Dallas to Los Angeles.

Benjamin Terry lives and works in Dallas, TX. He received an MFA in Drawing and Painting from the University of North Texas in 2013. He has exhibited work in numerous solo and group exhibitions internationally including Atlanta, Brooklyn, London, Mexico City, San Francisco, Dallas, and Houston. Terry was an artist-in- resident at The Maple Terrace in Brooklyn in the spring of 2018 and 100 West Corsicana in 2020. Curatorial work has become an integral part of his practice with exhibitions curated at Kirk Hopper Fine Arts, Circuit12 Contemporary, Galleri Urbane, and Texas Woman’s University. He was featured in volumes 96 and 132 of New American Paintings, and has received both the Clare Hart Degoyler and the Arch and Anne Giles Kimbrough awards from the Dallas Museum of Art. He is currently a Distinguished Senior Lecturer at the University of Texas Arlington.